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- Violin by Nicola Gagliano, 1735 - Nicola Gagliano's violins were inspired by the work of his father Alessandro Gagliano and master violinmaker Antonio Stradivari. Henry Ford purchased this Gagliano violin in the 1920s through Ole H. Bryant, a Boston violinmaker who served as principal repairer for the Boston Symphony Orchestra. This violin is said to have been once owned by a young Arthur Fielder, later conductor of the Boston Pops Orchestra.
- 1735
- Collections - Artifact
Violin by Nicola Gagliano, 1735
Nicola Gagliano's violins were inspired by the work of his father Alessandro Gagliano and master violinmaker Antonio Stradivari. Henry Ford purchased this Gagliano violin in the 1920s through Ole H. Bryant, a Boston violinmaker who served as principal repairer for the Boston Symphony Orchestra. This violin is said to have been once owned by a young Arthur Fielder, later conductor of the Boston Pops Orchestra.
- The DeMoss Family Lyric Bards, circa 1890 -
- circa 1890
- Collections - Artifact
The DeMoss Family Lyric Bards, circa 1890
- Two Members of the DeMoss Family Lyric Bards, circa 1890 -
- circa 1890
- Collections - Artifact
Two Members of the DeMoss Family Lyric Bards, circa 1890
- Robert Moog's First Prototype Synthesizer in Henry Ford Museum, 1983 - This prototype synthesizer--a collaboration between engineer Robert Moog and composer Herbert Deutsch--is a musical icon. Synthesizers create unique electronically produced sounds. Moog's solid-state synthesizer was musically superior and much more portable than earlier vacuum-tube-based systems. In 1968, the album <em>Switched-On Bach</em> introduced the Moog synthesizer to a wider audience. Synthesizers quickly became a mainstay of popular music.
- 1983
- Collections - Artifact
Robert Moog's First Prototype Synthesizer in Henry Ford Museum, 1983
This prototype synthesizer--a collaboration between engineer Robert Moog and composer Herbert Deutsch--is a musical icon. Synthesizers create unique electronically produced sounds. Moog's solid-state synthesizer was musically superior and much more portable than earlier vacuum-tube-based systems. In 1968, the album Switched-On Bach introduced the Moog synthesizer to a wider audience. Synthesizers quickly became a mainstay of popular music.
- Player Piano, 1910-1920 - Player pianos enjoyed enormous success from the 1890s through the 1920s. During this time, over 2 1/2 million were sold to Americans eager to have piano music at home -- without having to spend many hours in practice. Coin-operated versions, like this Seeburg Company model, provided patrons with the latest music in public establishments during the early 20th century.
- 1910-1920
- Collections - Artifact
Player Piano, 1910-1920
Player pianos enjoyed enormous success from the 1890s through the 1920s. During this time, over 2 1/2 million were sold to Americans eager to have piano music at home -- without having to spend many hours in practice. Coin-operated versions, like this Seeburg Company model, provided patrons with the latest music in public establishments during the early 20th century.
- Violin by Carlo Bergonzi, 1740 - In the 1920s, Henry Ford purchased several exquisite Italian violins, including this one by Carlo Bergonzi. Bergonzi's violins are prized for their powerful, yet sweet tone. This 1740 violin--one of the finest examples of Bergonzi's work--was owned by William Ackroyd from 1915 to about 1922. Ackroyd was the violin master at the Harrow School, a renowned school for boys located in London.
- 1740
- Collections - Artifact
Violin by Carlo Bergonzi, 1740
In the 1920s, Henry Ford purchased several exquisite Italian violins, including this one by Carlo Bergonzi. Bergonzi's violins are prized for their powerful, yet sweet tone. This 1740 violin--one of the finest examples of Bergonzi's work--was owned by William Ackroyd from 1915 to about 1922. Ackroyd was the violin master at the Harrow School, a renowned school for boys located in London.
- Violin Used by Conrad Ambrose Hoffman -
- 1793
- Collections - Artifact
Violin Used by Conrad Ambrose Hoffman
- Violin Bow Used by Conrad Ambrose Hoffman -
- 1800-1835
- Collections - Artifact
Violin Bow Used by Conrad Ambrose Hoffman
- Edmund Berky Playing the Cimbalom during a Ford Radio Station WWI Broadcast, 1924 - Edmund Berky provided musical entertainment for a Ford Motor Company radio program in May 1924. Berky played several selections -- ranging from classical to folk tunes -- on a cimbalom, which is similar to a dulcimer. Musicians play the cimbalom by striking metal strings with spoon-shaped wooden hammers covered with cotton, felt, or leather.
- May 22, 1924
- Collections - Artifact
Edmund Berky Playing the Cimbalom during a Ford Radio Station WWI Broadcast, 1924
Edmund Berky provided musical entertainment for a Ford Motor Company radio program in May 1924. Berky played several selections -- ranging from classical to folk tunes -- on a cimbalom, which is similar to a dulcimer. Musicians play the cimbalom by striking metal strings with spoon-shaped wooden hammers covered with cotton, felt, or leather.
- Snare Drum Used by Frank G. Campbell, 17th Michigan Infantry Regiment, 1864 - A military drum provided rhythm for marching and was an important signaling device for troops in battle. This Civil War drum belonged to Frank G. Campbell, a member of the 17th Michigan Volunteer Infantry. The names of the battles in which his unit participated are painted on the side of the drum.
- 1864
- Collections - Artifact
Snare Drum Used by Frank G. Campbell, 17th Michigan Infantry Regiment, 1864
A military drum provided rhythm for marching and was an important signaling device for troops in battle. This Civil War drum belonged to Frank G. Campbell, a member of the 17th Michigan Volunteer Infantry. The names of the battles in which his unit participated are painted on the side of the drum.